Requirements:
PC or Mac system, Internet Browser with Flash 6+ plugin, color display
with ≥1024x768 resolution, and Stereo Audio.
Context:
The mobile phone has undergone an evolutionary progression from
a limited and mundane communication instrument to a multi-functional
device augmented with computer and photographic/video capabilities.
Indicative of Weiser’s notion of ubiquitous computing, this
hybridised technological set continues to permeate the entire social
strata of the developed world and has achieved the distinction of
primary transmitter of our digital selves. Generating transitory
and ephemeral networks, the mobile phone mediates our most intimate
of communications and exchanges – at all times and in all
places – and continues to erode the actual and perceived divisions
between public and private space.
Within this technological and sociological framework, there exists
the potential to implement this medium as a mechanism to explore,
critique and expand the conceptual and aesthetic structures within
the classical genre of portraiture. Embracing the functionality
of the mobile phone as transmitter of the self, can the inherent
characteristics of these devices, ranging from their physical recording
limitations to their low-bandwidth data format and consequential
compression artefacting, become meaningful creative elements in
a formalised artistic product? Does the fusion of these device-level
qualities with the innate algorithmic processes afforded by the
digital domain, affect the characterisation of the studied ‘individual’
by re-defining fundamental aspects of the creative process such
as subject acquisition and artwork distribution?
Within this scenario, does such a portrait attain a greater or different
‘truthfulness’?
Process:
Without artistic direction/interference and utilising only a SVP
c500 smartphone as a recording instrument, a subject was requested
to generate cinematic content interpreting the notion of ‘auto-portrait’.
From the resulting material a single nine second audio/video stream
was extracted and utilised as the exclusive source material for
the artwork.
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